Capturing Cambridge
  • search
  • Facebook
  • Twitter
Algernon Paul Sinker

Finella, The Yews, Queen’s Road

History of Finella, Queen's Road

Extract from Life on the Edge, 2012, by Peter Vasey, p.197:

This Victorian villa was rented by Mansfield ‘Manny’ Forbes, an eccentric English don, and a minor scion of a Scottish clan, in the mid-1920s. In period 1927-29 he and the Australian architect Raymond McGrath turned The Yews into a modernist hymn to Finella, legendary queen of the Pictish tribe… it became a showcase for the use of modern materials in interior decoration, with light, copper-clad multi-panel folding doors, an aluminium walled bathroom, mirrored ceilings and a rubberized floor with Pictish motifs. For a decade Finella was a meeting place for young artists. In 1931 Forbes organized the exhibition of Jacob Epstein’s controversial sculpture ‘Genesis’. ……. Forbes charge 1s a head to view it and collected quite a large sum. …. When Forbes died young in 1935, Finella’s owners – Gonville and caiu College – employed the architect Peter Bicknell to split the house into two flats…… in 1936 Caius leased one half – Finella West – to the Bowden family.


1930s

In ‘Crystal Clear’ Lawrence Bragg writes about the ‘Singer’ family who lived next door in ‘Fenella’ p.150.


1939

Finella East:

Algernon Paul Sinker, b 1905, fellow Jesus College

Ruth N, b 1903, (WVS)

?

?

?

Paul Sinker became head of the British civil service and then director of the British Council.

Finella West:

Robert F S Hutchinson, b 1915, physical chemist

Yvonne C, b 1914, children’s nurse


In Life on the Edge (2012), Peter Varey says that Philip Bowden, the physicist, and his wife Margot, leased half of Finella (west) from 1936. Bowden was a Tasmanian who had lived in Cambridge since 1927.

In 1939 Bowden and his family were on holiday in Australia. He persuaded the Australian government to let him set up a research unit in Melbourne on lubricants and bearings: tribophysics. The family only returned to Cambridge and Finella West in September 1944.

Bowden’s niece Naomi Wolfhagen arrived from Tasmania in 1949 and move in with the family.

In the 1960s the garden became famous for spectacular firework and fire balloon parties.

Note to Constance Pyle, undated


In 2022 SM sent these reminiscences:

I remember walking across Coe Fen and Lammas Land from St Mary’s Convent, Bateman Street and to the busy crossing at Silver Street corner for ballet lessons at Finella, never worked out if it was East or West though both names were on a small wooden plaque quite low down somewhere, with the wonderful Marie Bicknell.  That was a house with a great presence and I remember the rooms better than the ballet.  Interested to see that Peter Bicknell did the conversion, presumably her husband.  I also remember Gabrielle Crick’s dad coming and waiting to take her home afterwards (yes, of Watson and Crick).  I guess this was around 1962 – 64. Anyway an awful lot of people went through the doors of Finella for ballet class, I think the music, the mirrors and the movement add to the rich atmospheric mix of the house.


Caius took the property back in 1980 and converted it again, this time into rooms for its Fellows.

Contribute

Do you have any information about the people or places in this article? If so, then please let us know using the Contact page or by emailing capturingcambridge@museumofcambridge.org.uk.

Licence

This work is licensed under CC BY-NC-SA 4.0

Dear Visitor,

Thank you for exploring historical Cambridgeshire! We hope you enjoy your visit and, if you do,  would consider making a donation today.

Capturing Cambridge makes accessible thousands of photos and memories of Cambridge and its surrounding villages and towns. It is run by the Museum of Cambridge which, though 90 years old, is one of the most poorly publicly funded local history museums in the UK. It receives no core funding from local or central government nor from the University of Cambridge.

As a result, we are facing a crisis; we have no financial cushion – unlike many other museums in Cambridge – and are facing the need to drastically cut back our operations which could affect our ability to continue to run and develop this groundbreaking local history website.

If Capturing Cambridge matters to you, then the survival of the Museum of the Cambridge should matter as well. If you won’t support the preservation of your heritage, no-one else will! Your support is critical.

If you love Capturing Cambridge, and you are able to, we’d appreciate your support.

Every donation makes a world of difference.

Thank you,
Roger Lilley, Chair of Trustees
Museum of Cambridge