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A row of Cambridge Daily News delivery vans parked outside the New Theatre and newspaper offices on St Andrew's Street.

New Theatre and Cambridge daily News offices c.1929

St Andrew’s Hall, New Theatre Royal, Theatre Royal, St Andrews Street

History of The New Theatre, St Andrew's Street

By 1879 [1882?], largely through the efforts of Mr William Beales Redfern, a disused skating rink in St Andrew’s Street was acquired and fitted up as a theatre. Redfern was an artist who had started a theatre company called the Bijou Amateur Dramatic Club at the Victoria Assembly rooms.

The first of a series of Greek plays (the ‘Ajax’) was staged here in 1882 and theatrical performances were given regularly until the New Theatre was built in 1896, on the site of the old, theatre or St Andrew’s Hall, as it was first called. (A B Gray 1921)

It was difficult at the time for undergraduates to attend performances since productions were not allowed in term time; this was changed eventually by Act of Parliament. Amongst the most successful production were Rob Roy, Still Waters Run Deep, and The Bells. Charles Hawtrey’s Private Secretary was first performed here in 1883.

On the subject of the The Footlights, F A Keynes writes that in 1883 a cricket match was played between a team of Cambridge undergraduates and the staff of Fulbourn Mental Hospital. A return match was arranged but took the form of a concert. This represented the birth of the Footlights.

The first production was Aladdin in 1883 at the old St Andrew’s Hall.  the Footlights performed a show there every year until 1895 when the old theatre was demolished. The group then used the New Theatre built by Redfern until 1936 when they moved to the new Arts Theatre built by Lord Keynes.

Information about The New Theatre can be found:

http://www.arthurlloyd.co.uk/CambridgeTheatres.htm

In 1907 it was the venue for the Esperanto Congress which opened on the 12th August.

A satirical line drawing shows a man in a dunce cap and four police officers listening to an instructor near an easel.

1907 Esperanto Congress

A large group of people in Edwardian-era attire pose on a lawn before the ornate stone facade of a historic building.

Esperanto Conference 1907 (MoC510/74)

It was reported in the Cambridge Independent Press (16/8/1907) that the Congress had previously met in Boulogne and Geneva. They were addressed by Dr Zamenhof for 40 minutes in Esperanto.

Three men in suits pose outdoors with chairs, flags, and a star-patterned banner, with 1907 Esperanto text in the corner.

Esperanto Congress, 1907. Three organisers, Harold Mudie in the centre.

17/8/1907 Esperanto Congress held in Cambridge, Market Hill bedecked with flags. All other events in Cambridge have been dwarfed in comparison with the third International Esperanto Congress which has brought money into the town when trade was at its lowest ebb. It was hoped the University might have bestowed an honorary degree upon Dr Zamenhof, the Warsaw genius, but apart from a formal reception at the Fitzwilliam Museum it has generally stood aloof from the movement. (Cam.News)

A crowd gathers in a town square before a brick building adorned with bunting, featuring a large clock in its central gable.

Esperanto conference Cambridge 1907 (Guildhall in background)

12/8/1907 Esperanto has seized Cambridge like a raging fever. Genuine and spurious Esperanto fills the air as the autolycus of the gutter shouts unintelligent jargon to a street comrade and calls it Esperanto. But when a picturesque figure from the Swiss Canton appeared in the street the impudence of the street Arab was silenced. He was impressed by the tight green breeches and head capped by genuine Alpine hat. A Turk and Indians in national costume add considerably to the effect of this new kind of circus. (Cam.News)


1913 Jack Hulbert in Cheer-oh Cambridge


1920 Claude Humbert in His Little Trip

A large ensemble of men in suits and women in gowns stand on a tiered theatre stage in front of a floor-length curtain.

Theatre Royal stage and actors date unknown

A row of Cambridge Daily News delivery vans parked outside the New Theatre and newspaper offices on St Andrew's Street.

New Theatre and Cambridge daily News offices c.1929


1921

A smiling woman with dark hair sits on a wooden staircase wearing a long, light-colored dress with wide sleeves and slippers.

New Theatre 1921 The Ruined Lady

A 1921 printed theatre playbill for The Ruined Lady at the New Theatre, Ltd. in Cambridge, featuring black text on paper.

New Theatre 1921 The Ruined Lady

A black-and-white ink drawing of five caricatured figures in a line, titled French Leave, with names beneath each figure.

New Theatre 1921 French Leave

A printed document advertising New Theatre, Cambridge, with performance dates and times starting Monday, October 24th, 1921.

New Theatre 1921 French Leave

A colourful drawing of a cloaked figure with a staff walking across a landscape toward distant crosses under a twilight sky.

New Theatre 1921 The Wandering Jew

A printed document showing black text on a pale background advertising a theatre production titled The Wandering Jew.

New Theatre 1921 The Wandering Jew


1922

A black-and-white line drawing shows a man in a naval uniform emerging from the conning tower of a submarine labeled A5.

New Theatre 1922 The Luck of the Navy

Printed theatre programme text for a 1922 New Theatre performance of Nelson's Days by Clifford Mills in Cambridge.

New Theatre 1922 The Luck of the Navy


1928

A graphic poster illustration by Nerman featuring two men peering down at a woman in a red dress against a black background.

New Theatre 1928 Plunder by Ben Travers

A 1928 printed programme for a production of the play Plunder at the New Theatre, Cambridge, displayed in black text.


1930

A drawing of two cats on a red carpet in a hotel corridor with numbered doors, one cat holding a top hat and a suitcase.

New Theatre 1930 Almost a Honeymoon

A printed document with black serif text advertising New Theatre, Cambridge, for dates in December 1930 at 8.0 and 2.30.

New Theatre 1930


1933

A vintage poster for the New Theatre features a giant man in a tuxedo surrounded by smaller, dancing figures on a yellow field.

New theatre 1933 That’s a Good Girl

A printed document in blue text on a white background advertising the musical comedy That's a Good Girl at the New Theatre.

New Theatre 1933 That’s a Good Girl


A multi-story building and an attached lower structure on a street corner, featuring large painted Daily News lettering signs.

47 St Andrew’s Street, Daily News with New Theatre (MoC225/70)

Three black, swag-like decorative mouldings are mounted on the wall above a dark wooden, multi-paned glass doorway.

New Theatre stalls bar, undergraduate gowns (MoC212.60)

Interior view of a theatre auditorium showing tiers of balcony seating with ornate gilded carvings and classical columns.

New Theatre (MoC8/60)

Dark, draped fabric swags are mounted above double-panelled wooden doors, flanked by painted floral wall decorations.

New Theatre (MoC1/12/60)

The interior view of a theatre shows tiers of raked seating, ornate balcony fronts, and supporting columns in muted tones.

New Theatre (MoC9/60)

Interior view of a theatre balcony featuring rows of empty seats and an ornate ceiling with a central decorative fixture.

New Theatre (MoC10/60)

Interior view of a theater balcony with ornate fluted columns and a relief carving of winged figures framing a central oval.

New Theatre (MoC11/60)

Projects

  • St Andrew's Street

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