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Black-and-white postcard showing a central octagonal church between buildings with handwritten ink text across the bottom.

Chapel of Ease, Octagon Church, Wisbech

The Chapel of Ease, Octagon Church, Wisbech

History of the Chapel of Ease

This church opened as a chapel of ease to the parish church in 1831. It closed in 1946 and was demolished in 1952. Sir Nicholas Pevsner wrote in 1954: “To the disgrace of Wisbech this was under demolition at the time of writing.”

A busy town square with commercial lorries and parked cars in front of the tall stone Octagon Church and residential houses.

Octagon Church Wisbech c.1925

From British History Online:

The OCTAGON CHURCH is a brick building, faced with stone and embattled. It was erected under an Act of Parliament of 1827  as a chapel of ease to the parish church, and consists of chancel, octagonal nave, porch at the south side and a turret containing one bell. The building was designed by William Swansborough in imitation of the Octagon of Ely Cathedral, but the lantern became unsafe owing to defective foundations, and was replaced in 1846 by a battlement with pinnacles.

People in Edwardian-era clothing stand in a cobbled square before a large carousel and the stone facade of a church.

Octagon Chapel, Wisbech with fair in front date circa 1900

A crowded market square in Wisbech features the octagonal church building, horse-drawn carts, and people in early 20th-century dress.

Octagon Church and Old Market, c.1910 (Frith)


Elaborately carved fairground organ featuring four standing statues flanking five central figures and ornate floral reliefs.

Marenghi fairground organ, Wisbech, circa 1900

Photos kindly sent by Tina Worby. For information about Marenghi fairground organs.

British History Online notes about Wisbech: Since at least 1851 travelling showmen and hawkers, on their way between Lynn to Stamford Fairs, have gathered in the town. This concourse is called the Mart. ‘This saturnalia’ it was said in 1851, ‘sometimes continues five weeks, and during that period all the noise that can be tortured out of drums, dulcimers, lungs, trumpets, organs, and cymbals serves to enliven, if not to gratify. The utility of marts and fairs is now almost wholly superseded; and those of Lynn and Wisbech have degenerated into a mere gathering of freaks of nature, “harlotry players”, dirty exhibitions, conjurers, wild beast [sic], and ragamuffin life in all its gipsyism.’

Ornate fairground organ with gold pipes and decorative paintings, mounted inside a burgundy trailer, with a wooden platform.

Replica Ch Marenghi organ (photo from Wikipedia)

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