“Village Voices”: Stories and Memories from the Cambridgeshire Fens
A collection of oral histories and personal recollections from villages across the Cambridgeshire Fens, capturing everyday life, work, humour and memory through the voices of local people.
Exhibition: “Village Voices”
This exhibition presents a rich collection of individual memories drawn from oral history recordings made in Fenland villages between the 1970s and 1990s.
Compiled by Lorna Delanoy and Valerie Bloye, the booklet brings together:
- Personal stories
- Local knowledge
- Humour and anecdote
- Reflections on change
It is the third in a series based on recordings held by Lorna Delanoy (see introduction page).
1. A landscape of voices
A map in the booklet shows the wide geographical spread of contributors:
- Ely at the centre
- Villages including Sutton, Stretham, Wicken, Willingham and Cottenham
- Links stretching towards Cambridge and Newmarket
(see page 2 map)
This reinforces the idea of a shared Fenland culture across multiple communities.
2. Memory as history
The introduction emphasises that:
- These are transcribed voices
- Speech patterns are preserved where possible
- Memories are sometimes fragmented but deeply authentic
The aim is not polished history, but lived experience.
3. Haddenham: landscape and local history
Several accounts focus on Haddenham.
One describes:
- The site of a former pest house
- Brickmaking and early industry
- The evolution of village buildings
Another recounts the development of:
- shops
- chapel buildings
- local businesses
(see pages 5–6)
4. Characters and storytelling
A key strength of this booklet is its vivid characters.
For example:
- George Amory, remembered as a Hill Row storyteller
- Known for recounting Feast Days, rivalries and local events
Stories include:
- Village rivalries (Sutton vs Haddenham)
- Feast Day celebrations
- Practical jokes and humour
(see page 7)
5. Rural ingenuity and survival
Many stories describe:
- Hunting and trapping
- Working with limited resources
- Making use of what was available
One account recalls:
- catching birds for food
- improvising tools and methods
- navigating laws and restrictions
These stories reveal both skill and necessity (pages 7–8).
6. Work and farming life
Agricultural life is a constant presence.
Accounts include:
- Horse care and working practices
- Transporting goods by horse and cart
- The transition to tractors
Work was:
- Physically demanding
- Highly skilled
- Central to identity
(see pages 11–12)
7. Childhood and play
Childhood memories are particularly vivid.
Activities included:
- Making toys and games
- Catching birds and eels
- Playing marbles and outdoor games
Children often created their own entertainment using:
- natural materials
- simple tools
(see pages 13–14, 17–18)
8. Changing technology
The booklet captures the transition from:
- Horse power
to - Mechanised farming
Examples include:
- Early cars and tractors
- Changing transport systems
- Decline of traditional rural skills
(see pages 11–12)
9. Women’s lives and domestic experience
Mabel Demaine’s contribution provides insight into:
- Domestic routines
- Food preparation
- Village social life
She describes:
- family gatherings
- Feast Week traditions
- community celebrations
(see pages 15–16)
10. War and wider experience
Some contributors describe experiences beyond the village.
For example:
- Service in the First World War
- Travel abroad (including Africa)
- Work outside the Fens
These accounts connect Fenland life to global events (page 19).
11. Everyday humour and perspective
Humour runs throughout the collection.
Stories include:
- misunderstandings
- practical jokes
- ironic observations
These moments reveal:
- resilience
- community bonds
- a distinctive Fenland voice
12. Continuity and change
Across all the accounts, a common theme emerges:
- A world of hard work and limited resources
- Gradual transition to modern life
- Strong continuity of identity and place
Contribute
Do you have any information about the people or places in this article? If so, then please
let us know using the Contact page or by
emailing capturingcambridge@
Licence
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